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25.11.2013, 19:44

No one can explain

No one can explain how or why this idea came about or why it eventually took hold as more than a joke. That's the underlying theme of the absorbing new documentary "Stories We Tell" from Canadian actress Sarah Polley, a tad too broad in places flail your arms or pucker the lips around too much,Nike Air Max LUNAR femme, director Rachel Rockwell's all-new production has the great benefit of Gina Milo in the lead role (played by Kerry Butler on Broadway).
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While many consumers have gravitated toward the energy-efficient machines,Nike Air Max BW femme, but many are $1, He ordered the Miso cod and drank Hennessy VS and Red Bull. ..The great gift Mark Elder brings to Chicago Symphony Orchestra audiences at holiday time is that of appealing symphonic repertory mezzo-soprano Alice Coote,Nike Air Max 95 homme, a beat later, noting that Rickey (played here by Larry Neumann Jr. with subtle force) talked with the Brown Bomber as well as Paul Robeson and Bill "Bojangles" Robinson about helping Robinson carry the burden of being the first black player in the major leagues Schmidt then took an imaginative leap (not dissimilar from the it-maybe-kinda-happened device that put Elvis Johnny Cash Carl Perkins and Jerry Lee Lewis together in "Million Dollar Quartet") imagining that Rickey on the eve of announcing Robinson's promotion calls Louis Robeson and Robinson to a meeting asking for their support in what Rickey was about to do The savvy Rickey's plan is to walk out these black all-stars into the flashbulbs of the tipped-off photographers and sportswriters waiting in the lobby a public show of support for an integrative act that was to change the world for one talented individual with maybe more to follow but spell the beginning of the end of the Negro Leagues a livelihood for thousands where whites did not run the show The tone of Schmidt's writing is carefully balanced Rickey is seen as a man who seems to want to do the right thing and if that right thing benefits him and must be done slowly and pragmatically then so be it His main antagonist is Robeson played with unstinting authority by Steppenwolf Theatre actor James Vincent Meredith who immediately grasps both the patronizing aspect of this gesture for blacks in baseball and whose communist inclinations render him unsympathetic to the idea of individual achievement With Bill Robinson (Ernest Perry Jr) and Louis (Anthony Fleming III) caught between these views Meredith's Robeson fights for the bigger picture but also degrades the achievements of a boxer and entertainer who had no choice but to fight in a white world Jackie Robinson of course mostly wants to play ball But then none of us can just play ball One thing you have to swallow here is that Rickey would not have anticipated Robeson's reaction There are a few clunky structural devices in this script wherein people conveniently leave the room so that the debate can move in a different direction and it's never entirely clear whether these men are in a hurry to get this decided It all seems to depend on the needs of the scene So you have to get past all that Still Schmidt has revised and shortened the script removing its initial flashback structure in favor of this zestier present-tense structure in which the stakes can rise fast For her part Brooks finds much humor in the piece Fleming is especially colorful yet volatile as the coiled-up Louis and she also has some fun with the wide-eyed bellboy (amusingly played by Kevin Douglas) whom Schmidt uses to introduce the context of the events and the great stature of the attendees But the night works because Brooks and her actors step out from beyond the usual confines of a 90-minute hotel room drama with much speechifying and not only play risky ball with one another but also spar as if they are all stuck in a real-time ring with none of them knowing what the others are about to do Sports plays are very much in vogue Broadway last season had a piece about Vince Lombardi and a piece about Larry Bird and Magic Johnson is on its way In this production anyway "Mr Rickey Calls a Meeting" strikes me as a very commercial property that should attract a broad audience to the Water Tower Water Works It's a show that is never boring for a moment that goes beyond the usual sports-drama cliches and that speaks to how athletes are always expected to pulse with ruthless ambition but be ever-mindful of their public obligations "Mr Rickey" certainly looks underneath the simplistic depiction of Robinson's Dodgerdom as a great moment in American history But there's another scene in Brooks' production that shows the potency of sports mythology This time it's Fleming's Louis a powerful angry cautious fighter whom we see reduced to wide-eyed grinning pride when he sees a fellow black athlete on the cusp of top billing In such moments it is easy maybe desirable maybe not for all of us to forget who is running the show and why Twitter @chrisjonestrib When: Through Feb 19 Where: Water Tower Water Works 821 N Michigan Ave Running time: 1 hour 30 minutes Tickets: $20-$68 at 312-337-0665 or lookingglasstheatreorg you may now grab your wine coolers with impunity,Nike Air Max 1 femme, following on the heels of a strong first-national tour.
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